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Archive for the ‘Schedule09’ Category

Savage

Thursday, September 10th, 2009

Dir: Brendan Muldowney/Ireland/2009/88 mins

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Brendan Muldowney’s remarkable low-budget feature debut is uncompromising in its portrait of the violent underbelly of city life in Ireland. With echoes of Taxi Driver, Savage unfolds with a palpable sense of dread to a devastating climax. The best Irish feature film of 2009? We think so.

Paul Graynor (Darren Healy), an alienated press photographer who lives and works in an unfriendly and threatening city, becomes victim to a serious crime. Finding himself the subject, rather than the purveyor of an inner city tabloid story, Paul tries to come to terms with his attack, though the scars – both psychological and physical prove impossible to heal. His only hope of recovering his tenderness is in his burgeoning relationship with Michelle, a nurse who he met through her caring for Paul’s once violent, but now infirm father. Savage is an exploration of violence and masculinity, and studies, in forensic detail, Paul’s metamorphosis, from victim to avenger.

NB: This screening will be introduced by the filmmakers.

DATA Presents: A New Media Nostalgia

Thursday, September 10th, 2009

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A Dublin Art and Technology Association panel discusion @ Darklight ‘09: The use of the newest technology in art is still sometimes viewed with suspicion - only when a technology becomes both ubiquitous and mainstream is it fully accepted. When a technology becomes obsolete, a futher transformation occurs and it becomes invested with a certain artistic value. Brand new technologies in their day – think the slide projector, the 16mm projector and the needle on the record – all carry with them now this repurposed sense of artistic significance. What will happen, however, when analogue technology is no longer a point of comparison or recollection? The Big Question: is it already time already for a new media nostalgia?

More on DATA HERE.

Darklight 2009 @ The Joinery

Thursday, September 10th, 2009

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In collaboration with Darklight, The Joinery presents a snapshot selection of contemporary experimental and abstract shorts from around the world. Saturday’s selection centres around a screening of pre -1989 abstract from a selection of East German filmmakers, coinciding with the twentieth anniversary of the fall of The Berlin Wall, presented in association with Goethe Institute.

DARKLIGHT 2009 @ THE JOINERY

PROGRAM ONE – THE BODY POLITIC

MAESMAK (20′20)
by Georges Salameh

LIVES AND WORKS IN ROME (01′36)
by Nordine Sajot

ATLANTROPA (16′15)
by Samuel Stevens

DESTROYING SULUKULE (00′40)
by Zafer Topaloglu

HELIUM (08.00)
by Giuseppe Schettino

RED STAR (02.49)
by Milica Rakic

TESTING ROOMS/SMASHING FORMS (10.00)
by Conor McFeely

REPEAT AFTER ME (06.30)
by Marianne Holm Hansen

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PROGRAM TWO – THE BODY ABSTRACT

STAUBKASKADE (4.00)
by Stefan Pautze

ALONE (03.05)
by Gerard Freixes Ribera

REVERSE ANGLE (08.43)
by Maria Madei

METROPOLIS VIDEO DANZA (29.50)
by Paul Rodrigo Venegas

MORGENROT (03.35)
by Hauschka/Jeff Desom

AUTUMNAL (06.00)
by Scott Nyerges

HOLD STILL (00.25)
by John Walsh

WAKING HELEN (04.08)
by Colin Bradford

THE ILLOGIC OF A DREAM HAD… (04.50)
by Ruby Quineunx

1897-1979 (01.20)
by Alex Synge

STOREYS (03.42)
by Traolach O’Murchu

GRAND WHEEL (06.00)
by Gavin Heffernan

WANDERER (06.11)
by James Saazell

AANAATT (04.45)
by Max Hattler

I (03.35)
by Ivava Juric

PROGRAM THREE – CANADA/ FINLAND
(FILMS BY AV-ARKKI – THE DISTRIBUTION CENTRE FOR FINNISH MEDIA ART AND VIDEO OUT, VANCOUVER, CANADA )

EVOLUTIONS (18′20)
by Jani Ruscica

VANTAA (11′50)
by Erika Nissinen

DOG VIDEO (9′55)
by Samuli Alafuranen

UP THE RABBIT HOLE (5′00)
by Asa Mari

SLEEPER (8′00)
by Mamina Roy

GREYCON 4 (8′30)
by Brandon Bloomeart

MISSING LETTERS (20.10)
by Milja Vitta

HEY FUCK FACE (4′15)
by Amber Dawn

ABSENCE (7′05)
by Nina Lehtonen-Braun

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GERMAN EXPRESSIONIST PROGRAM
Presented in association with Goethe Institute
Screening Time: Saturday @ 7pm

Action Situation (8:54)
by Helge Leiberg/1983

September September (6:15)
by Gino Hahnemann/1986

Unter Weißen Tüchern (8:40)
by Cornelia Scheime/1983

Samuel (4:04)
by Cornelia Klauß/1984

Report (6:43)
by Via Lewandowsky/1987

Engelchen (9:05)
by Thomas Frydetzki/1985

NB: The Joinery will be open all weekend.

More about The Joinery HERE.

Cool Fresh Milk from The Performance Corporation

Thursday, September 10th, 2009

Cool Fresh Milk explores a new strand of theatrical possibilities for The Performance Corporation, with a mix of live electronic music and performance. Directed by Jo Mangan, Cool Fresh Milk is performed by Lisa Lambe, with live music by Jo Thomas and live text by Tom Swift.

More about Performance Corporation HERE

Mark Romanek Masterclass

Thursday, September 10th, 2009

In association with FAS/Screen Training Ireland, Darklight proudly presents a filmmaking masterclass with 2009 Darklight Guest Of Honour Mark Romanek.

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NB: To apply for this masterclass, please go to the Screen Training Ireland website.

About Mark Romanek:

Born in Chicago, Illinois, Mark Romanek has directed several of the most iconic music videos of the modern age, collaborating with such diverse artists as Beck, Coldplay, Jay-Z, Michael Jackson, Madonna, Nine Inch Nails, Red Hot Chilli Peppers and R.E.M. in 2004, his unforgettable video for Johnny Cash’s Hurt won the 2004 Grammy Award for Best Music Video; to date Romanek’s music videos have received over twenty MTV awards and innumerable other accolades – in 1997 MTV presented him with its prestigious Video Vanguard Award, the first time the prize was presented to a filmmaker. In 2002 Mark wrote and directed the acclaimed feature One Hour Photo, starring Robin Williams; he’s currently in post-production on an adaptation of Kazuo Ishiguro’s novel Never Let Me Go, starring Keira Knightly. Darklight is both delighted and honoured to welcome Mark Romanek to Dublin for a Public Interview and a filmmaking workshop, presented in association with FAS/Screen Training Ireland.

Solus Irish-Arabian Avant-Garde Film Tour

Thursday, September 10th, 2009

Solus is an independent Irish film collective and platform for film-makers working in Super-8mm / 16mm and DV. This year, Solus have developed an exchange program between independent Irish film-makers and Middle Eastern and African film-makers. The incoming arm of this project is a programme of new experimental work from the Arab world touring Ireland; this Darklight programme showcases experimental videos and short dramas by young Egyptian artists from 2003 to the present.

DARKLIGHT SOLUS PROGRAMME 2009

ISLAM KAMAL PUBLIC DOMAIN 10:00 / Egypt / 2008

MOHAMED ALLAM HOLY PROJECT 6:00 / Egypt / 2007

MOUNIRA EL SOLH THE SEA IS A STEREO 13:00 / Lebanon / 2008

KHALED HAFEZ THIRD VISION 7:30 / Egypt / 2008

AHMED EL GENDY THE NEW PAPER BOY 1:49 / Egypt / 2008
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KHALED HAFEZ IDELR’S LOGIC 24:00 / Egypt / 2003

AHMED KHALED FIFTH POUND 14:12 / Egypt / 2005

AHMED EL SHAER DON’T RESIGN 3:00 / Egypt / 2008

SHADY EL NOSHOKATY STAMMER 15:21 / Egypt / 2007

Total Duration: 94.52
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WAEL DARWISH PURGING 4:17 / Egypt / 2007

HALA ABU SHADY BAMBY ( PINK ) 6:17 / Egypt / 2008

AHMED KHALED FISH EYES 21:38 / Egypt / —-

Total Duration: 127.40
More on The Solus Film Collective HERE.

Animatazz Animation Workshop

Thursday, September 10th, 2009

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Animatazz maestro Michael Connolly presents an exciting animation workshop, catered to the needs and abilities of kids aged 8-15 who would love to learn to make an animated character come to life in one fun 90 minute session.

Families are welcome, and advanced booking is strongly advised. Mail info AT darklight.ie NOW!

More on MIchael Connolly and Animatazz HERE.

View the Animatazz YouTube channel HERE.

Exposure 2009

Thursday, September 10th, 2009

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To hell with categorization: Exposure is all about bringing you a wondrous smorgasbord of the finest new short cinema from across the globe, with a particular focus on work from Irish talent – work that by turns inspires, illuminates, infuriates and defies definition.

Exposure Program 2009

Thou Art Fucking Dead (2′55)
by Lung/UK

Happy (10′35)
by Paul Duane/Ireland

Punches (2′46)
by Eoghan Kidney/Ireland

The Scanner (3′48)
by Gerard Lough/Ireland

Bloody Ladies (5′32)
by VJ Voytas/Poland

24/7 (8′57)
by Emer Maguire/Ireland

Metroscopic (8′10)
by Paul Windridge/UK

Moore Street Masala (5′16)
by David O’Sullivan/Ireland

No Place Like Home (6′10)
by Rosto/Netherlands

‘43 (33′21)
by John Curran and Craig Woods/Ireland

The Gynaecologist (10′)
by Alfonso Camarero/Spain

9. 8 Metres Per Second Part II (4′17)
by Andrew Duggan and Cindy Cummings/Ireland/US

The Bowling Club (9′ 22)
by Luca Rocchini/Ireland

Slight (1′06)
by Bryan Dunphy (Ireland)

Lough Hyne (12′38)
by Pat Collins/Ireland

NB: Program may be subject to change.

2019 AC: After Copyright

Thursday, September 10th, 2009

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This event is presented in association with BANTER.

It is October 2019, and the copyright wars are over… Who won? Who lost? Does anyone care any more? A lively discussion from first principles about how the creative landscape might look 10 years hence, addressing THE hot button topic of the hour. Darklight welcomes Anna Troberg, the Vice Chairman of the Swedish Pirate Party, to Dublin: running on a platform for copyright and patent reform, The Pirate Party received 7.1% of the vote in the recent European Elections, securing the party its first seat in the EU Parliament. At present, The Pirate Party is the third biggest political party in Sweden; its meteoric rise has inspired a number of similar parties with the same name and goals in a number of EU countries, including Ireland. Joining Anna in conversation is Irish Times journalist and blogger Jim Carroll.

More on The Pirate Party HERE.

Read Jim Carroll’s blog On The Record HERE.

DJ Spooky’s Rebirth Of A Nation

Thursday, September 10th, 2009

Dir: Paul Miller/US/2008/100M

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Nearly one hundred years after the release of D. W. Griffith’s epic The Birth of a Nation, performance artist and musician Paul D. Miller, aka DJ Spooky That Subliminal Kid, has applied a ‘DJ mix’ to one of the most revered and reviled films ever made. Miller’s reading of the overt racism depicted in a Reconstruction-era South hurtles Griffith’s images into the twenty-first century, a sociopolitical landscape that has evolved beyond all expectations. Originally commissioned as a live multimedia performance, this ‘theatrical’ version features an original score by Miller, performed by Kronos Quartet.

More on DJ Spooky and Rebirth Of A Nation HERE.